There’s a magic about boarding a night train in a big city terminus. At that hour, some people are ending their nights out. For others their night out is just beginning. But skulking around the station with a mixture of luggage types is a band of travellers who are getting ready for bed, right here in the middle of the city. These are the residents of the night train, who must wait for some late hour until they can board.
(more…)Tag: cinema
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Storm’s coming: go to the cinema
In times gone by, people went to the cinema to stay warm. The movie theatre offers a place of shelter from the elements and also an escape from reality for a couple of hours. Last week, when storms huffed and puffed and infrastructure bent and buckled, Great Western Railway suspended all services from London to Bristol. I was stranded in the capital amid a maelstrom of conflicting information about when services would resume. So rather than stare at the blank departure screen, I headed for the silver screen instead.
I felt liberated. Give me a ticket for the next film, I said. The next feature was Pedro Almodóvar’s latest film ‘Parallel Mothers’. For the next two hours and three minutes I was transported away from the rain and the wind to sunny Madrid and the tale of two who give birth on the same day.
By the time I emerged the information storm had settled down. There would be no trains today, and probably none tomorrow morning. Decision made for me: I would need to stay another night in London.
Incompatible and incomplete information
In a situation like this, when a system that usually runs in a steady state is knocked off course, then the information about that system is likely to be incompatible or incomplete. For instance, National Rail Enquiries showed some trains leaving Paddington, GWR said none leaving Paddington for now, others had simply crashed.
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